Howard Jones talks about TRANSFORM, his first new studio album in nearly a decade

In recent years, electronic music pioneer Howard Jones has been focusing his energy on live shows rather than new albums. His last release, “Engage” (2015) was part of a larger crowd-funded multi-media project. But having taken a break from touring to focus on new material, Jones is back with “Transform,” his first regular album in almost a decade. “Transform” showcases Jones fully embracing his electronic roots but within a modern context.

Ian Haug of The Church talks about the “Starfish” 30th anniversary tour

The Church recently kicked off the second leg of a US tour celebrating the 30th anniversary of their “Starfish” album. We interviewed frontman Steve Kilby before the first leg, and recently had the chance to speak with guitarist Ian Haug, as well. Haug is the newest member of The Church, having joined in 2013. Previously, he was best known for being part of the long-running and highly successful Australian band Powderfinger.

Elizabeth Le Fey interviewed about “Romantic Cancer,” her latest release as Globelamp

On “Romantic Cancer,” her latest release as Globelamp, psych-folk influenced singer/songwriter Elizabeth Le Fey has adopted a much more stripped-down sound than her previous releases. Le Fey’s powerful voice can effortlessly bounce between being ethereal and aggressive, and minimalism in the instrumentation lets it truly shine.

Cellist and composer Julia Kent returns with “Temporal”

Cellist Julia Kent was an original member of Rasputina and worked with a variety of other artists before establishing herself as a solo artist with 2007’s “Delay.” Her instrumental compositions combine looped and layered cello with electronic sounds. On her recently released album “Temporal,” Kent presents “a meditation on the transitory and fragile nature of existence.”

Surachai interviewed about “Come, Deathless”

On his new album Come, Deathless, musician/producer Surachai continues to blend styles into a unique dark electronic sound. There is a strong emphasis on sound design and electronic tweaking, but the rhythmic nature and tight composition instantly draw in the listener. Come, Deathless is the seventh full-length album from Surachai and features guests Aaron Harris (drums, ISIS/Palms), Joey Karam (keyboards, The Locust/One Day As A Lion) and singer Sara Kendall. In an email interview, Surachai discussed the making of the album.

Dallas Acid discuss “Arrive Without Leaving,” their collaboration with LARAAJI and Arji OceAnanda

“Arrive Without Leaving” is a mesmerizing adventure into sonic experimentation that brings together musical visionaries LARAAJI, Dallas Acid, and Arji OceAnanda. The project began when Dallas Acid sought out LARAAJI to share a bill at New York venue National Sawdust. Their label suggested that they spend some time in the studio together, and the resulting six-hour session provided the raw material for “Arrive Without Leaving.”

Glen Matlock talks about his solo album “Good to Go”

Glen Matlock is not clinging to his punk days but has maintained the raw energy and knack for using simplicity as power when it comes to songwriting. His recent crowd-funded solo album, “Good to Go” is full of tightly-crafted and catchy rock songs that at times have a rockabilly edge. Matlock recorded it in London and upstate New York, collaborating with Earl Slick (David Bowie) and Slim Jim Phantom (Stray Cats).

Electronic musician Carolyn Fok discusses her career and new archival releases

The work of electronic musician Carolyn Fok spans over four decades and has ranged from aggressive industrial to more ambient soundscapes. It’s always had an experimental edge, with meticulous and highly creative sound design. Thanks to a pair of new large-scale collections, Fok’s music is now more readily available.

Experimental musician and dancer Raquel Bell talks about her solo debut, “Swandala”

Experimental musician and dancer Raquel Bell has been involved with many projects over the years, such as Normal Love, Mesiko and The Dialtones. But the recently released “Swandala” marks her debut as a solo artist. Having relocated from New York City to Austin, Texas, Bell found the additional space and time benefited her creative process.