"Everything's going through it, vocals and things like that," explains Dangers "I put vocals through a ring modulator and did manual tuning. Just like, there's the mixing desk over there, there's the speakers and I'm standing here doing the vocals with no headphones on. you get really cool feedback with the ring modulator and the monitors on."

This is quite a step up from early Meat Beat recordings. "Storm The Studio," for example, was created by triggering samples from a drum machine and synching the drum machine to tape using cassette codes.

"It means that every time you want to record a new track, you've got yo play it from the start," says Jack. "It's not like SMPTE, you can't play from the middle. So it was very low tech from the beginning. The first computer I got was in 1990, an Atari running Pro 24. So previous records were very, very low-fi on a technological level. Not on a audible level. With this one I got my hands on a Quadra 950 using hard drive recording. It's a completely different way of working. I've got more control over it now that I ever had thanks to technological advances of the past few years."