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“I like to do very emotional things, and fear is such an intense emotion,” says film composer Brian Reitzell (”Lost In Translation”, “Friday Night Lights”) on his desire to do a horror movie. After considering numerous projects, he decided to take on “30 Days of Night” as his first film in that genre. To capture the mood of an Alaskan town terrorized by vampires, Reitzell chose to downplay traditional instrumentation in favor of such sound sources as a custom-made instrument built from a pottery wheel. In a telephone interview, Reitzell discusses the soundtrack, why he turned to film work (after being a member of rock band Redd Kross) and more.
• Read the interview
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on Tuesday, December 11th, 2007 at 8:55 am and is filed under Music Interviews, Movie Soundtracks, TV/Film.
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