By making it possible to bypass traditional media and distribution channels, the internet has proven to be a powerful medium for bands and music fans to connect. New artists willing to put in the effort can now reach mass audiences without a record deal, and established acts who might not get the media attention they once did can easily reach long-time fans. But what if you happen to have a name that actually makes it more DIFFICULT for people to find you?
One such band would be The The – searching for “The The” tends to bring up many more non-relevant listings than a query for a lesser-known band who has more unique words in their name. Curious as to what The The’s principle member Matt Johnson thinks about that, I contacted him through his management. Here’s what he had to say:
“Yes, this is certainly an interesting question you raise. It has been raised before and of course I have thought about it and received numerous complaints about it too. Obviously, I cannot change the name of my band at this late stage but what we have tried to do is to get Sony (who own the bulk of the back catalogue) to contact the various online retailers to tweak their search engines to accommodate the name. Some have responded to this, iTunes, Amazon for instance. Some have yet to do this. It also depends on how you type the name – The The, “The The”, TheThe.
Looking at the brighter side, it does make it harder to find unauthorized recordings, bootlegs, free downloads of The The, which I’m quite happy about. Also, in the Internet Age when people are becoming increasingly spoilt and expect to find anything/everything they want instantly maybe it’s a good thing that TheThe has gone back to being the underground, word of mouth band it always was? Maybe it’s good for people to have to dig around a little to find the things they want rather than having everything served up to their ears instantaneously and with barely a finger lifted?”
• Visit the official The The website
(Originally published in October, 2006. Photograph by Johanna Saint Michaels)
A few weeks back we did another interview with Daniel Hunt of Ladytron (
On her debut full-length CD, “…and the moon was hungry…,” Morgan manages to flawlessly bring together the classical training she’s had since childhood and her love for darkwave music. What makes it work so well is that she obviously has a deep understanding and heartfelt appreciation of both genres. This isn’t like when a singer/songwriter just adds electronic beats to give their music an edge, or when a synth band experiments with orchestral samples. Together with the production team Wizardz of Oz, Morgan has truly managed to fuse styles in such a way that sounds natural and extremely powerful. In an email interview, Morgan told us a bit about the CD, her work on a “Harry Potter” trailer, and more!
A few years ago Chaos Control featured a really great New Jersey-based band called double-breasted (
Before the web as we know it was in wide use, Chaos Control Digizine was published in Macintosh HYPERCARD format. It was cheap (actually free until the color version came out) and provided a lot of possibilities for interactivity and multimedia. These issues were posted on various online and BBS services, as well as distributed on disk (floppy!) Looking at these Hypercard issues again, they stand up pretty well (despite an overuse of Kai’s Powertools in the color editions!). To provide a peek at the origins of Chaos Control Digizine, we’ve posted issues #2 and #8 for downloading. Of course you’ll need a Macintosh to view them, as well as the Hypercard player (follow the link below if you need it.) Unfortunately, Hypercard was never updated for OSX, so it will launch classic mode. Please ignore any weirdness, such as text occasionally getting cut off due to font issues , as these ARE over a decade old!